Venice 2016

Sources

Matt Nierle, The Translation Cycle of the Relics of St. Mark from Alexandria to Venice

Matt Nierle, The Translation Cycle of the Relics of St. Mark from Alexandria to Venice

Matthew Nierle, The Translation Cycle of the Relics of St. Mark from Alexandria to Venice

Bibliography:

Demus, Otto. The Mosaics of San Marco in Venice. V.1, PT.2. Chicago: University of Chicago Press, 1984

Fenlon, Iain. Piazza San Marco.  Cambridge, Mass.: Harvard University Press, 2009.

Poeschke, Joachim.  Italian Mosaics, 300-1300. New York, 2010.

Procuratoria Di San Marco Di Venezia. “Basilica Di San Marco.” Accessed April, 2016. http://www.basilicasanmarco.it/?lang=en.

Maguire, Henry, and Robert S. Nelson. San Marco, Byzantium, and the Myths of Venice. Washington, D.C., 2010.

Vio, Ettore. St. Mark’s: The Art and Architecture of Church and State in Venice. New York: Riverside Book Company, 2003.

Images:

“SanMarco.” SanMarco. 2012. Accessed April, 2016. http://www.aloverofvenice.com/HiddenCorners/SanMarco-2012.html.

Basilica di San Marco, facade and mosaics, photos by Marjorie Och

Pietro Vecchia, The Recovery of St Mark’s Body, 1660, photo by Marjorie Och

Pietro Vecchia, The Arrival of St Mark’s Body in Venice, 1660, photo by Marjorie Och

 

Berkley Vollino, The Ca' d'Oro Façade

Berkley Vollino, The Ca’ d’Oro Façade

Berkley Vollino, The Ca’ d’Oro Façade

Bibliography:

Goy, Richard J.  The House of Gold: Building a Place in Medieval Venice.  New York: Cambridge University Press.  1992.

________.  Venetian Vernacular Architecture: Traditional Housing in the Venetian Lagoon.  New York: Cambridge University Press.  1989.

Howard, Deborah.  The Architectural History of Venice.  New Haven: Yale University, 2002.

Lieberman, Ralph.  Renaissance Architecture in Venice: 1450–1540.  New York: Abbeville Press.  1982.

Ruskin, John.  The Complete Works of John Ruskin: The Stones of Venice Volume II8 vols.  New York: Thomas Y. Crowell, 1905.

Images:

The Complete Works of John Ruskin: The Stones of Venice Volume II, “Gothic Palaces” (New York: Thomas Y. Crowell, 1905), 8:253

Cà d’Oro, mid-late 1420s, Venice, Artstor.

 

Dery Martinez Bonilla, Islamic Influence in Venetian Architecture: The Power of Objects

Dery Martinez Bonilla, Islamic Influence in Venetian Architecture: The Power of Objects

Dery Martinez Bonilla, Eastern Artifacts in Venice: Byzantine and Islamic Influence in Venetian Architecture

Bibliography:

Carboni, Stefano. Venice and the Islamic World, 828-1797. New York: Metropolitan Museum of Art, 2007.

Clévenot, Dominique. Splendors of Islam: Architecture, Decoration, and Design. New York: Vendome Press, 2000.

Concina, Ennio. A History of Venetian Architecture. Translated by Judith Landry. Cambridge: Cambridge University Press, 1998.

Erzen, Jale Nejdet. “Reading Mosques: Meaning and Architecture in Islam.” The Journal of Aesthetics and Art Criticism 69, no. 1 (2011): 125-31.

Hillenbrand, Robert. Islamic Architecture: Form, Function, and Meaning. Edinburgh: Edinburgh University Press, 1994.

Howard, Deborah, and Sarah Quill. The Architectural History of Venice. New Haven: Yale University Press, 2002.

Howard, Deborah. Venice & the East: The Impact of the Islamic World on Venetian Architecture, 1100-1500. New Haven: Yale University Press, 2000.

Kühnel, Ernst. Islamic Art & Architecture. Translated by Katherine Watson. Ithaca, NY: Cornell University Press, 1966.

Mack, Rosamond E. Bazaar to Piazza: Islamic Trade and Italian Art, 1300-1600. Berkeley: University of California Press, 2002.

Mozzati, Luca. Islamic Art: Architecture, Painting, Calligraphy, Ceramics, Glass, Carpets. Munich: Prestel, 2010.

Stanley, Tim, Mariam Rosser-Owen, and Stephen Vernoit. Palace and Mosque: Islamic Art from the Middle East. London: V & A Publications, 2004.

Images:

Mattheus Merian, Venetia, ca. 1638 , British Library (http://www.unitresestocalende.it/U3SC/Giardini_di_Venezia.html)

Palazzo Ducale from Baccino, Doge’s Palace Museum (http://palazzoducale.visitmuve.it/en/the-museum/doges-palace/the-palace/)

Incense burner in shape of an octagonal shrine, 17th century, Deccan, Brass Private Collection, London (http://www.thehindu.com/features/friday-review/art/exhibition-on-deccan-sultanates-at-met-new-york/article7231288.ece)

Map of Venetian naval route (http://www.insightcruises.com/events/sa29/)

Palazzo Ducale and Basilica di San Marco (http://www.campingserenissima.com/tag/rialto/)

Stucco Wall at Samarra, C Style, 836-883 CE (http://www.tau.ac.il/arts/arthistory/ISLAM/IRAQ/SAMARA/stucko/aai104.html)

Mattheus Merian, Venetia, ca. 1638, British Library (http://www.unitresestocalende.it/U3SC/Giardini_di_Venezia.html)

Giovanni Antonio Canal “Canaletto,” Piazza San Marco, late 1720s, New York, Metropolitan Museum of Art (http://www2.arnes.si/~mursic3/renesansa-4_Idealno-mesto-II_prezentacija.pdf)

Façade of Basilica di San Marco (http://www.bestourism.com/bests/bestimages?tag=-Venice)

Cast Iron Bronze Brazier, 8th, Jordan, National Archeological Museum of Jordan (http://www.qantara-med.org/qantara4/public/show_document.php?do_id=102&lang=en)

Brazier of Sultan al-Malik al-Muzaffar Shams al-Din Yusuf ibn ‘Umar, ca 13th century, Egypt, The Metropolitan Museum of Art (http://www.metmuseum.org/toah/works-of-art/91.1.540/)

Relics of San Pietro Orseolo at the treasury of the Basilica di San Marco (http://www.ourtravelpics.com/photo/venice/429/)

Mimar Sinan, Suleymaniye Mosque, 1557, Istanbul (https://teukateang.wordpress.com/2015/06/02/saat-masjid-jadi-jantung-peradaban/)

Artophorion, 12th century Byzantium, Venice, Treasury of San Marco (http://www.panoramio.com/user/8611877/tags/Treasury%20of%20San%20Marco?photo_page=2)

Artophorion, 12th century Byzantium, Venice, Treasury of San Marco (https://fugitiveink.wordpress.com/2008/12/08/the-empire-strikes-back-byzantium-330-1453-at-the-royal-academy/)

Artophorion, 12th century Byzantium, Venice, Treasury of San Marco (http://flickrhivemind.net/Tags/13th,from/Timeline)

Palazzo Ducale (http://www.starhotels.com/it/i-nostri-hotel/splendid-venice-venezia/destination/family-splendid-venice-venezia/mamma-dove-andiamo-family-venezia.html)

 

Nina Wutrich, An Examination of Female Costume in Late Fifteenth and Early Sixteenth-Century Venice

Nina Wutrich, An Examination of Female Costume in Late Fifteenth and Early Sixteenth-Century Venice

Nina Wutrich, An Examination of Female Costume in Late Fifteenth and Early Sixteenth-Century Venice

Bibliography:

Birbari, Elizabeth. Dress in Italian Painting: 1460-1500. London: J. Murray, 1975.

Campbell, Lorne. Renaissance Portraits: European Portrait Painting in the 14th, 15th and 16th Centuries. New Haven: Yale University Press, 1990.

Fortini Brown, Patricia. Art and Life in Renaissance Venice. New York: Harry N. Abrams, 1997.

Fortini Brown, Patricia. Private Lives in Renaissance Venice. New Haven: Yale University Press, 2004.

Frick, Carole Collier. Dressing Renaissance Florence: Families, Fortunes, and Fine Clothing. Baltimore: Johns Hopkins University Press, 2002.

Herald, Jacqueline. Renaissance Dress in Italy: 1400-1500. London: Bell and Hyman, 1981

Killerby, Catherine Kovesi. Sumptuary Law in Italy, 1200-1500. Clarendon Press, 2002.

Masson, Georgina. Courtesans of the Italian Renaissance. London: Secker & Warburg, 1975.

Newton, Stella Mary. The Dress of the Venetians, 1495-1525. Aldershot, United Kingdom: Gower Publishing Company, 1988.

Sanudo, Marin. Venice: Cita Excellentissima: Selections from the Renaissance diaries of Marin Sanudo, edited by Patricia H. Labalme, Laura Sanguineti White, and Linda L. Carroll. Baltimore: Johns Hopkins University Press, 2008.

The Courtesan’s Arts, Cross-Cultural Perspectives, edited by Martha Feldman and Bonnie Gordman. Oxford University Press, 2006.

Vecellio, Cesare. The Clothing of the Renaissance World, translated by Margaret F. Rosenthal and Ann Rosalind Jones. Thames and Hudson, 2008.

Images:

Vittore Carpaccio, Two Venetian Ladies, 1495, Venice, Museo Correr (ARTSTOR)

Albrecht Durer, A Woman of Venice and a Hausfrau of Nuremberg, ca. 1495, Frankfurt, Staedel Museum (ARTSTOR)

Vittore Carpaccio, The Prince Arrives in Brittany, ca. 1497-98, Venice, Galleria de l’Accademia (ARTSTOR)

Vittore Carpaccio, The Virgin Reading, ca.1510 , Washington, National Gallery (ARTSTOR)

Jacopo Barbari, View of Venice, 1500, Minneapolis, Minneapolis Institute of Art (Google Art Project, https://www.google.com/culturalinstitute/asset-viewer/view-of-venice/SAEeTmn2LROfQQ)

Domenico Ghirlandaio, Portrait of Giovanna Tornabuoni, 1488, Madrid, Museo Thyssen-Bornemisza (ARTSTOR)

Leonardo, Lady With An Ermine, 1489-90, Krakow, Wawel Castle (ARTSTOR)

Palma il Vecchio, Madonna and Child with SS Justina and Barbara and Two Donors, 1508-10, Rome, Galleria Borghese (ARTSTOR)

Vittore Carpaccio, Meeting of the Pilgrims and the Pope, ca. 1497-98, Venice, Galleria dell’Accademia (ARTSTOR)

Giorgione, Laura, 1506, Vienna, Kunsthistorisches Museum, (ARTSTOR)

Vittore Carpaccio, Departure of Ceyx, ca. 1502-07, London, National Gallery (ARTSTOR)

Chopines, 16th century, Venice, Museo Palazzo Mocenigo, (http://hominisaevum.tumblr.com/post/30464042000/venetian-chopines-16th-century-on-loan-from)

Giovanni Cariani, Four Courtesans and Three Gentlemen, Bergamo, Private Collection (ARTSTOR)

Tintoretto, Portrait of a Lady, possibly Veronica Franco, ca. 1574, Worcester, Worcester Art Museum (ARTSTOR)

Cesare Vecellio, Spose non Sposate, Spose Sposate, Vedove, Cortegiania, woodcuts from Degli habiti antichi e moderni, 1598 (http://realmofvenus.renaissanceitaly.net/library/newvecellio.htm)

 

Courtney Kuzemchak, Venetian Opera and the Teatro Malibran

Courtney Kuzemchak, Venetian Opera and the Teatro Malibran

Courtney Kuzemchak, Venetian Opera and the Teatro Malibran by Courtney Kuzemchak

Bibliography:

Apthorp, William Foster. The Opera Past and Present: An Historical Sketch. New York: Charles Scribner’s Sons, 1910.

Bianconi, Lorenzo, and Thomas Walker. “Production, Consumption and Political Function of Seventeenth-Century Opera.” Early Music History 4 (1984): 209-296.

Glixon, Beth L. and Jonathan E. Glixon. Inventing the Business of Opera: The Impresario and His World in Seventeenth-century Venice. Oxford: Oxford University Press, 2005.

Grout, Donald Jay and Hermine Weigel Williams. A Short History of Opera. New York: Columbia University Press, 2003.

Johnson, Eugene J. “The Short, Lascivious Lives of Two Venetian Theaters, 1580-85.” Renaissance Quarterly 55 (Autumn 2002): 936-968.

Lynn, Karyl Charna, Italian Opera Houses and Festivals. Lanham, MD: Scarecrow Press, 2005.

Muir, Edward. “Why Venice? Venetian Society and the Success of Early Opera.” Journal of Interdisciplinary History 36 (Winter 2006): 331-353.

Rosand, Ellen. Opera in Seventeenth-Century Venice: The Creation of a Genre. Berkeley: University of California Press, 1991.

Selfridge-Field, Eleanor. A New Chronology of Venetian Opera and Related Genres, 1660-1760. Stanford: Stanford University Press, 2007.

Selfridge-Field, Eleanor. Song and Season: Science, Culture, and Theatrical Time in Early Modern Venice. Stanford: Stanford University Press, 2007.

Images:

Interior of La Fenice in 1837, Museo Correr, Venice (https://en.wikipedia.org/wiki/Italian_opera#/media/File:Interior_of_La_Fenice_in_1837._Original_at_Museo_Correr.jpg)

Vincenzo Coronelli, Palazzo Mocenigo alla Riva de’ Schiavoni, 1700 (Singolarità di Venezia, Palazzi)

 Libretto title page from “Andromeda”, 1637 (Opera in Seventeenth-Century Venice: The Creation of a Genre)

 Plan of San Giovanni Grisostomo (http://www.theatre-architecture.eu/en/db/?theatreId=995)

Engraving of the Interior of La Fenice (http://www.theatre-architecture.eu/en/db/?theatreId=878)

Engraving of the Interior of La Fenice During a Show (http://www.theatre-architecture.eu/en/db/?theatreId=878)

Vincenzo Coronelli, Teatro S. Giovanni Grisostomo, 1709 (http://www.theatre-architecture.eu/en/db/?theatreId=995)

Wagner and Debes, Venezia, 1886 (http://www.tourvideos.com/maps-Venice.html)

Andreas Praefcke, Teatro Malibran Exterior, 2007 (https://upload.wikimedia.org/wikipedia/commons/b/b1/Teatro_Malibran.jpg)

 Teatro Malibran Interior, 2013 (http://www.in-venice.com/wp-content/uploads/2013/11/malibran.jpg)

 

Hallie Karangelen, The Power of Venice as Exemplified by the Interior of the Palazzo Ducale

Hallie Karangelen, The Power of Venice as Exemplified by the Interior of the Palazzo Ducale

Hallie Karangelen, The Power of Venice as Exemplified by the interior of the Palazzo Ducale

Bibliography:

Brown, Patricia Fortini. Art and Life in Renaissance Venice. London: Laurence King Publishing Limited, 1997.

Hurlbert, Holly. “Body of Empire: Caterina Corner in Venetian History and Iconography.” Early Modern Women 4 (2009): 61-99.

Ilchman, Frederick. Titian, Tintoretto, Veronese: Rivals in Renaissance Venice. Boston: MFA Publications, 2009.

Palazzo Ducale. Published by the Fondazione Musei Civici di Venezia. Accessed Jan 20, 2016.

Rosand, David. Painting in Sixteenth Century Venice: Titian, Veronese, Tintoretto. New York: Cambridge University Press, 1997.

Rosand, David. “Venetia Figurate: The Iconography of the Myth.” Interpretazioni Venziane…pp. 177-196.

Schulz, Juergen. Venetian Painted Ceilings of the Renaissance. Los Angeles: University California Press, 1968.

Images:

Domenico Tintoretto, Doge Andrea Dondolo and Doge Marin Faliero, ca. 1580-1590, Great Council Hall of the Palazzo Ducale, Venice (Source: Google Art Project)

Jacopo Palma il Giovane, Siege of Constantinople, 1587, 18 by 20 feet, Great Council Hall of the Palazzo Ducale, Venice (Source: Art and Life in Renaissance Venice by Patricia Brown)

Francesco Bassano, Consignment of the Sword by the Pope to the Doge, 1584-1587, 18 by 18 feet, Great Council Hall of the Palazzo Ducale, Venice (Source: Art and Life in Renaissance Venice by Patricia Brown)

Jacopo Tintoretto, Il Paradiso, 1580s, Great Council Hall, Palazzo Ducale, Venice (Source: Web Gallery of Art)

Tintoretto, Modello for Il Paradiso, 1587-1588, Museo Thyssen-Bornemisza, Madrid (Source: Titian, Tintoretto, Veronese: Rivals in Renaissance Venice by Frederick Ilchman)

Veronese, Apotheosis of Venice, 1582, 30 by 19 feet, located on the ceiling of the Great Council Hall, Palazzo Ducale, Venice (Source: Google Art Project)

Tintoretto, Defense of Brescia, 1580s, Great Council Hall, Palazzo Ducale, Venice (Source: Web Gallery of Art)

Veronese, Siege at Scutari, 1580s, Great Council Hall, Palazzo Ducale, Venice (Source: Web Gallery of Art)

Aliense, Donation of Jewelry for the Genoese War 1380, ca. 1580s, ceiling of the Great Council Hall, Palazzo Ducale, Venice (Source: “Body of Empire: Caterina Corner in Venetian History and Iconography” by Holly Hurlburt)

Leonardo Corona, Caterina Cornaro Abdicates the Crown of Cyprus 1484, ca. 1580s, ceiling of the Great Council Hall, Palazzo Ducale, Venice (Source: “Body of Empire: Caterina Corner in Venetian History and Iconography” by Holly Hurlburt)

Tintoretto, The Doge Receiving Palm and Laurel from Venice, 1581, 34 by 21 feet, located on the ceiling on the Great Council Hall, Palazzo Ducale, Venice (Source: Google Art Project)

 

Meghan Page, Baldassare Longhena and the Ca' Rezzonico

Meghan Page, Baldassare Longhena and the Ca’ Rezzonico

Meghan Page, Baldassare Longhena and the Ca’ Rezzonico

Bibliography:

Cooper, Tracy Elizabeth., and Andrea Palladio. Palladio’s Venice: Architecture and Society in a Renaissance Republic. New Haven: Yale University Press, 2005.

Goy, Richard J. Venice: The City and Its Architecture. London: Phaidon, 1997.

Guinness, Desmond, and Julius Trousdale Sadler. Palladio: A Western Progress. New York: Viking Press, 1976.

Hopkins, Andrew. Santa Maria Della Salute: Architecture and Ceremony in Baroque Venice. Cambridge: Cambridge University Press, 2000

Hopkins, Andrew, Alessandra Chemollo, and Baldassare Longhena. Baldassare Longhena: And Venetian Baroque Architecture. New Haven: Yale University Press, 2012.

Howard, Deborah, and Sarah Quill. The Architectural History of Venice. New Haven: Yale University Press, 2002

Lotz, Wolfgang, and Deborah Howard. Architecture in Italy, 1500-1600. New Haven: Yale University Press, 1995

Mitrovic, Branko. Learning from Palladio. New York: W.W. Norton, 2004.

Palladio, Andrea. The Four Books of Architecture. New York: Dover Publications, 1965

Pedrocco, Filippo. Ca’Rezzonico: Museum of 18th Century Venice, Complete Guide. Venezia: Marsilio, 2008.

Pollio, Vitruvius, and M. H. Morgan. Vitruvius: The Ten Books on Architecture. New York: Dover Publications, 1960.

Wittkower, Rudolf. Palladio and Palladianism. New York: G. Braziller, 1974.

Wundram, Manfred, Thomas Pape, and Paolo Marton. Andrea Palladio, 1508-1580: Architect between the Renaissance and Baroque. Köln: Benedikt Taschen, 1993.

Images:

Map of Venice, (Source — http://www.mapaplan.com/travel-map/venice-italy-top-tourist-attractions-printable-city-street-plan/high-resolution/venice-top-tourist-attractions-map-01-Must-see-places-to-visit-detailed-street-districts-travel-plan-high-resolution.htm )

Longhena, Baldessare, Ca’Rezzonico, 1650-1750, Venice, Italy (Source — https://en.wikipedia.org/wiki/Ca%27_Rezzonico )

Longhena, Baldessare, Santa Maria della Salute, Venice, Italy (Source — https://enthusiastical.wordpress.com/category/venice/ )

Colosseum. ca. 70-80, Rome, Italy (Source — http://hdwallpapersrocks.com/world-miracles/italy-colosseum-rome-wonders-of-world/ )

Arch of Constantine, 315, Rome, Italy (Source — https://en.wikipedia.org/wiki/Arch_of_Constantine)

Naya, Carlo, Venice, Palace Rezzonico on the Grand Canal, ca. 1860-1882, New york, George Eastman House (Source — http://library.artstor.org/library/iv2.html?parent=true#)

Bellotto, Bernardo. Venice Veduta. 1738. Musée Des Beaux-Arts, Lyon, France (Source — http://www.wikiart.org/en/bernardo-bellotto/venice-veduta.)

Longhena, Baldessare, Ca’Rezzonico , 1650-1752, Venice, Italy (Source — http://www.destination360.com/europe/italy/venice/ca-rezzonico )

 

Yasmeen Bakri, Giovanni Battista Tiepolo: An Examination of Apollo and the Continents at the Wurzburg Residenz

Yasmeen Bakri, Giovanni Battista Tiepolo: An Examination of Apollo and the Continents at the Wurzburg Residenz

Yasmeen Bakri, Giovanni Battista Tiepolo: An Examination of Apollo and the Continents at the Wurzburg Residenz

Bibliography:

Barcham, William L. Giambattista Tiepolo. New York: H.N. Abrams, 1992.

Kruckmann, Peter O. Heaven on Earth, Tiepolo: Masterpieces of the Wurzburg Years. Munich: Prestel, 1996.

Levey, Michael. Giambattista Tiepolo: His Life and Art. New Haven: Yale University Press, 1986.

Christiansen, Keith. Giambattista Tiepolo, 1696-1770. New York: Metropolitan Museum of Art, 1996.

Pedrocco, Filippo. Tiepolo: The Complete Paintings. New York: Rizzoli, 2002.

Ripa, Cesare. Iconologia. Madrid: Akal, 2007.

Images:

Wurzburg Residenz Façade, ca. 1744, Germany, Wurzburg (source–http://www.residenz-wuerzburg.de/englisch/residenz/)

Grand Staircase overlooking Europe frieze, ca. 1752-3 (source–http://www.residenz-wuerzburg.de/englisch/residenz/)

Tiepolo, Self-portrait detail in Apollo and the Continents, ca. 1752-3 Wurzburg Residenz (source–https://en.wikipedia.org/wiki/Giovanni_Battista_Tiepolo)

Tiepolo, Self-Portrait, ca. 1760 (source–http://www.britannica.com/biography/Giovanni-Battista-Tiepolo)

Palazzo Labia façade, Venice (https://en.wikipedia.org/wiki/Palazzo_Labia)

Tiepolo, The Meeting of Antony and Cleopatra, ca. 1743-50, View of the Ballroom toward the west wall fresco, Palazzo Labia, Venice (source–http://www.wga.hu/html_m/t/tiepolo/gianbatt/4labia/)

Tiepolo, Apollo and the Continents, and details, Wurzburg, Germany ca. 1752-3 (source–http://www.wga.hu/html_m/t/tiepolo/gianbatt/5wurzbur/3ceilin.html)

Tiepolo, Portrait of Prince-Bishop Philip Von Greiffenclau, detail from Europe frieze, ca.1752-3 (source–http://www.wga.hu/frames-e.html?/html/t/tiepolo/gianbatt/5wurzbur/index.html)

Georg Desmarees, Portrait of Clemens August Elector of Cologne, ca. 1744 (source–https://en.wikipedia.org/wiki/Clemens_August_of_Bavaria)

Tiepolo, The Marriage of the Emperor Frederick Barbarossa to Beatrice of Burgundy, ca. 1751, Imperial Hall, Wurzburg Residenz (source–http://www.wga.hu/frames-e.html?/html/t/tiepolo/gianbatt/5wurzbur/index.html)

Tiepolo, The Investiture of Herald as Duke of Franconia, ca. 1751, Imperial Hall, Wurzburg Residenz (source–http://www.wga.hu/frames-e.html?/html/t/tiepolo/gianbatt/5wurzbur/index.html)

Grand Staircase looking towards Vestibule, Wurzburg Residenz (source–http://www.reflectionsenroute.com/unesco-world-heritage-site-wurzburg-residenz/)

View of Grand Staircase looking towards Europe frieze, Wurzburg Residenz (http://www.schloesser.bayern.de/deutsch/schloss/objekte/wu_res.htm)

Imperial Hall, Germany, Wurzburg Residenz (source–http://lostprofile.tumblr.com/post/98445470609/sp%C3%A4tbarock-in-s%C3%BCddeutschland-iv-the-treppenhaus)

Tiepolo, Personifications of Europe, America, Africa, Asia in Apollo and the Continents, ca. 1752-3, Wurzburg Residenz (source–Kruckmann, Peter O. Heaven on Earth, Tiepolo: Masterpieces of the Wurzburg Years. Munich: Prestel, 1996.)

Tiepolo, Europa detail in Apollo and the Continents, Merchants,  detail from Africa, Despotism and Violence detail in Asia, Birth of Literacy and Intellect detail in AsiaPortrait of Antonio Bossi in Europe, ca. 1752-3, Wurzburg Residenz (source–Barcham, William L. Giambattista Tiepolo. New York: H.N. Abrams, 1992.)

Tiepolo, Music, Europe detail in Apollo and the Continents, ca .1752-3, Wurzburg Residenz (http://www.wga.hu/html_m/t/tiepolo/gianbatt/5wurzbur/7europe.html)

Tiepolo, Portrait of Balthasar Neumann in Europe frieze, ca. 1752-3, Wurzburg Residenz (http://www.wga.hu/frames-e.html?/html/t/tiepolo/gianbatt/5wurzbur/index.html)

Tiepolo, Portrait of Prince-Bishop in Europe frieze, ca. 1752-3, Wurzburg Residenz (source–http://www.wga.hu/frames-e.html?/html/t/tiepolo/gianbatt/5wurzbur/index.html)

 

Erin Seage, Moonrise: Venice through Turner's Eyes

Erin Seage, Moonrise: Venice through Turner’s Eyes

Erin Seage, Moonrise: Venice through Turner’s Eyes

Bibliography:

Barnes, David. The Venice Myth: Culture, Literature, Politics, 1800 to the Present. New York:
Routledge, 2014.

Hamilton, James. Turner and Italy. Edinburgh: Trustees of the National Galleries of Scotland,
2009.

Joll, Butlin, and Luke Herrmann. The Oxford Companion to J.M.W. Turner. New York: Oxford
University Press, 2001.

Pemble, John. Venice Rediscovered. London: Faber & Faber, 2009.

Stainton, Lindsey. Turner’s Venice. New York: George Braziller, Inc., 1985.

Standish, Dominic. Venice in Environmental Peril?: Myth and Reality. Lanham, MD: UPA,
2011.

Images:

Canaletto, The Grand Canal and the Church of the Salute, 1730, Houston, Museum of
Fine Arts (online)

Unknown Artist, Napoleon’s Arrival in Venice in 1807, 19th century, Private Collection (online)

J.M.W. Turner, Self Portrait, 1799, London, Tate Museum (online)

J.M.W. Turner, Moonrise, the Giudecca and Zitelle in the Distance, 1840, London, Tate
Museum (online)

Tiepolo, Apollo and the Continents, 1753, Würzburg, Stairwell of the Residenz (online)

 

Emily Warren, Claude Monet, The Grand Canal, Venice

Emily Warren, Claude Monet, The Grand Canal, Venice

Emily Warren, Claude Monet, The Grand Canal, Venice 

Bibliography:

Isaacson, Joel. “Monet, Claude.” In Dictionary of Art, edited by Jane Turner, 862-68. Vol. 21. New York: Grove, 1996.

Nochlin, Linda. Impressionism and Post-Impressionism: 1874-1904 Sources and Documents. Englewood Cliffs, N. J.: Prentice-Hall, 1966.

Pissarro, Joachim. Monet and the Mediterranean. New York: Rizzoli International Publications, 1997.

Rachman, Carla. Monet. London: Phaidon Press, 1997.

Savoy, Daniel. Venice from the Water: Architecture and Myth in an Early Modern City. New Haven: Yale University Press, 2012.

Schwander, Martin, ed. Venice: From Canaletto and Turner to Monet. Riehen: Foundation Beyeler, 2008.

Thomson, Belinda. Impressionism: Origins, Practice, Reception. New York, NY: Thames & Hudson, 2000.

Tucker, Paul Hayes. Monet in the 20th Century. London: Royal Academy of Arts, 1998.

Wildenstein, David. Monet. Vol. 4. Taschen: Köln, 1996.

Zeki, Semir. Inner Vision: An Exploration of Art and the Brain. New York: Oxford University Press, 1999.

Images:

Claude Monet, The Grand Canal, Venice, 1908, oil on canvas, Museum of Fine Arts, Boston, Massachusetts.

Nadar, Claude Monet, 1899, photograph, https://en.wikipedia.org/wiki/Claude_Monet.

 

Katie Casbean, Save Venice Inc. and Veronese's Annunciation

Katie Casbean, Save Venice Inc. and Veronese’s Annunciation

Katie Casbean, Save Venice Inc. and Veronese’s Annunciation at the Gallerie dell’Accademia

Bibliography:

“A Constant and minute vigilance: International support for Venice.” The Art Newspaper, no. 97(1999): 49.

Conn, Melissa and David Rosand, eds.. Save Venice Inc.: Four Decades of Restoration in Venice. Venezia: Save Venice, 2011. Print.

Conti, Alessandro. A History of the Restoration and Conservation of Works of Art. Burlington: Elsevier, 2007. Print.

LaPlaca, Michael and Daniel Morris. “Save Venice Inc.Save Venice Inc.. Accessed February 18, 2016, http://www.savevenice.org.

Manieri-Elia, Mario. Masterpieces Restored: The Gallerie Dell’Accademia and Save Venice Inc.. Venice: Marsilio Editori, 2010. Print.

Pertot, Gianfranco. Venice: Extraordinary Maintenance. London: Paul Holberton, 2004. Print.

Plant, Margaret. Venice Fragile City 1797-1997. New Haven and London: Yale University Press, 2002. Print.

UNESCO. “Special Issue: The International Campaign for Florence and Venice.” The UNESCO Courier 20 (January 1967): 1-44.

UNESCO. “Venice Restored.” The International Campaign for Safeguarding of Venice (1978): 1-105.

Wilton-Ely, John. “A Future for Venice: Survival or Revival?” Apollo vol. 92(1970): 190-201.

Images:

Italia Living, Save Venice Inc. Logo, New York (http://www.italialiving.com/featured/american-organization-quest-save-venice/)

Save Venice Inc. and Gallerie dell’Accademia, Masterpieces Restored: The Gallerie dell’Accademia and Save Venice Inc., 2010, Venice (https://savevenice.org/SaveVenice/publications/books/)

Veronese, Annunciation, and details, ca. 1578, Venice, Gallerie dell’Accademia (https://savevenice.org/restorations/paolo-veronese-1528–1588-annunciation-1578-accademia-galleries/)

Palladio, Santa Maria Nuova, ca. 1578-1590, Vicenza (http://www.palladiomuseum.org/veneto/opera/11?lang=en)

 

 

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